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Turkish and Arabic makam (maqam) bibliography
al-Faruqi, Lois Ibsen. (1981). An annotated glossary of Arabic musical terms. Westport, CT, Greenwood Press.
Cohen, Dalia. (2006). Palestinian Arab music: a Maqam tradition in practice. Chicago, University of Chicago Press.
Danielson, Virginia. (1994). "Elsner, Maqam, Raga, Zeilenmelodik: Konzeptionen und Prinzipien der Musikproduktion." Ethnomusicology 38 (3): 509.
Danielson, Virginia, Scott Marcus, and Dwight Reynolds. (2002). The Garland encyclopedia of world music. Volume 6, The Middle East. New York, Garland Pub.
Erlanger, Rodolphe de. (1930). La Musique Arabe. Paris, P. Geuthner.
Farmer, Harold George. (1929). A history of Arabian music to the XIIIth century. London, Luzac.
-------. (1930). Historical facts for the Arabian musical influence. London, W. Reeves.
-------. (1934). Al-Farabi's Arabic-Latin writings on music in the Iha' al-'ulum. Glasgow, The Civic Press.
-------. (1997). Studies in Oriental music. Frankfurt, Institute for the History of Arabic-Islamic Science at the Johann Wolfgang Goethe University.
Feldman, Walter. (1990). "Cultural authority and authenticity in the Turkish repertoire." Asian Music 22 (1): 73-111.
-------. (1993). "Ottoman sources on the development of the taksim." Yearbook for Traditional Music 25: 1-28.
-------. (1996). Music of the Ottoman Court: Makam, composition and the early Ottoman instrumental repertoire. Berlin, VWB-Verlag fur Wissenschaft und Bildung.
Klaser, Rajna. (2001). From an imagined paradise to an imagined nation: interpreting sarki as a cultural play. Ph.D. Dissertation, University of California Berkeley.
Kligman, Mark. (2001). "Articles - The Bible, Prayer, and Maqam: Extra-Musical Associations of Syrian Jews." Ethnomusicology 45 (3): 443 (37 pages).
Kutlug, Fikret. (2000). Türk müsikisinde makamlar: inceleme. Istanbul, Yapi Kredi Yayinlari.
Marcus, Scott Lloyd. (1989). Arab music theory in the modern period. Ph.D. Dissertation, University of California Los Angeles.
-------. (1992). "Modulation in Arab Music: Documenting Oral Concepts, Performance Rules and Strategies." Ethnomusicology 36 (2): 171-195.
-------. (1993). "The Interface Between Theory and Practice: Intonation in Arab Music." Asian Music 24 (2): 39-58.
-------. (2006). Music in Egypt : experiencing music, expressing culture. New York, Oxford University.
Markoff, Irene. (1986). Musical Theory, Performance and the Contemporary Baglama Specialist in Turkey. Ph.D. Dissertation, University of Washington.
Oransay, Gültekin. (1964). Die Traditionelle Türkische Kunstmusik. Ankara, Küg-Veršffentlichung.
Özkan, Ismail Hakki. (1990). Türk Musikisi Nazariyatõ ve Usulleri. Istanbul, Ötüken.
Poché, Christian and Jean Lambert. (2000). Musiques du Monde Arabe et Musulman: Bibliographie et Discographie. Paris, Librairie Orientaliste Paul Geuthner.
Powers, Harold. (1989). "International segah and its nominal equivalents in Central Asia and Kashmir." In Maqam -- Raga -- Zielenmelodik, ed. J. Elsner: 40-84.
-------. (2000). "Mode." In New Grove's Dictionary of Music and Musicians. New York, Grove.
Qassim Hassan, Sheherezade ed. (1992). Musique Arabe: Le Congrés du Caire de 1932. Cairo, CEDEJ.
Racy, Ali Jihad. (2000). "The many faces of improvisation: The Arab taqasim as a musical symbol." Ethnomusicology 44 (2): 302-320.
Shiloah, Amnon. (1991). "Musical modes and the medical dimension: the Arabic sources (c. 900- c. 1600)." in Metaphor: A Musical Dimension, ed. J. C. Kassler: 147-159.
Signell, Karl. (1974). "Esthetics of improvisation in Turkish art music." Asian Music 5 (2): 45-49.
-------. (1977). Makam: modal practice in Turkish art music. Seattle, Asian Music Publications.
Touma, Habib Hasan. (1996). The Music of the Arabs. Portland, Or, Amadeus Press.
Wright, Owen. (1966). "Ibn al-Munajjim and the early Arabian modes." Galpin Society Journal: 26-48.
-------. (1978). The modal system of Arab and Persian music, A.D. 1250-1300. New York, Oxford University Press.
-------. (1990). "Çargâh in Turkish Classical Music: history versus theory." Bulletin of the School of Oriental and African Studies 53 (2): 224-244.
Zannos, Iannos. (1990). "Intonation in theory and practice of Greek and Turkish music." Yearbook for Traditional Music 22: 42-59.
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